“ummm, can you get rid of my double chin?”
After watching NYT op-ed video “Sex, Lies, and Photoshop” by Jesse Epstein I thought it important to pass the link along and to share a couple thoughts
The quote for me from the piece is “I dare one magazine just to publish an entire issue without any retouching.”
In the world of photography there are the little white lies and the black lies. Every image that goes through my studio and finds their way into a clients hands has be adjusted in some form, but I wanted to share some of my philosophy behind what I do and what I don’t. My goal as a wedding and event photographer is very different from that of the advertising world or editorial. I believe the reason why people hire me is so that they can create a body for something intangible in hopes that it can live on and be a catalyst for the emotions and feelings they experienced when they look back 10, 20, 70 years from now.
So I have to play a balancing act between what happened and what people perceived as happened. Every bride is beautiful (Im serious) despite weight, complexion, wrinkles, blemish what ever, every bride should perceive themselves as beautiful on their wedding day. In my opinion true beauty comes from within and that is what I try to tap into whenever I work on images after they have been taken. If it is part of who you are and what makes you, you, it stays.
“Umm Mike what happened to my mole?” “Sorry Mr. Lincoln I’ll put it right back.”
If it is something that will keep you from viewing the picture and reliving your day, out it goes. Just ask my brother about the HUGE zit on his forehead when he got married (ha ha sorry Ben couldn’t resist). Like anything in life, we have to exercise moderation. For those that are saying secretly “I don’t care make me barbie” I would ask you “who, at the core, is your photography for?” It is for that person and that person alone that you should try to satisfy.
For me it is your differences that make you, you and your photography should celebrate that.












by Mike
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